Ryan Reed is a freelance music/culture writer/editor. He also contributes to Rolling Stone, Relix Magazine, Revolver, Pitchfork, and other publications.
Ryan Reed
The Story of How Rush Closed Out the ’80s With the Transitional ‘Presto’
Judging solely in superficial terms, 1989's 'Presto' is a minor offering in Rush's massive discography.
The History of John Rutsey and Rush
We look at the important contributions made by John Rutsey during his brief tenure as Rush's first drummer.
40 Years Ago: Jethro Tull Respond to Critics and Strip Off the Excess
Jethro Tull's seventh album, 1974's 'War Child,' was born during a particularly awkward transitional period.
50 Years Ago: Pink Floyd Carry on With ‘A Saucerful of Secrets’
The band's second album featured little input from its damaged original leader Syd Barrett.
40 Years Ago: Hawkwind Release ‘Space Ritual’
Like many other '70s rock greats, British space-rock pioneers Hawkwind built their legacy on-stage, rather than in the recording studio. On May 11, 1973, the band released their defining masterpiece. 'Space Ritual,' their fourth overall LP and first live album, is a mind-numbing double-album behemoth that captures the Hawkwind experience in all its demented glory.
35 Years Ago: Genesis Release ‘. . . And Then There Were Three . . .’
How exactly did Genesis, progressive rock's defining band, manage to survive so much turmoil? The group weathered the loss of key members and a shifting musical landscape to produce '. . . And Then There Were Three . . .,' the 1978 album that introduced a leaner three-man lineup and helped them move from prog toward the poppier sound that would define their career in the '80s.
Emerson, Lake & Palmer Announce Record Store Day Exclusive Box Set
This year's Record Store Day (April 20) is shaping up to be a classic rock extravaganza (emphasis on 'extra'): From Cream's triple-vinyl live set to David Bowie's string of singles to Paul McCartney's live EP, some of rock's most legendary acts are digging deep into their respective vaults and unleashing goodies.
Rush, ‘The Anarchist’ — Song Review
One of many things that makes Rush so consistently rewarding is that they stick with what they do well -- more than likely, Geddy Lee won't form an electronic side project any time soon, and it's a safe bet Alex Lifeson won't switch over to steel guitar. 'The Anarchist,' the anthemic third single from the excellent 'Clockwork Angels,' is a perfect example of Rush reveling in the many things Rush